E-learning and courseware
Modules, assessments, and explainer videos for a British or international audience, the use our note names. Try 0.95 times for learners.

Imogen is graded B- on the published list, the highest among the British English voices, with a B target quality and 10 to 100 hours of training audio. Our note: British female, steady pace for courseware. We have not kept any recipe with her yet, so the pairings below are ones to try.
Hear it
On the record
Among the eight British voices on the list, only Imogen reaches the 10 to 100 hour band; the rest sit at minutes or a few hours and grade C or D. That is the basis of her B-: more and cleaner data.
Our note points her at courseware and mentions a steady pace, which is what a module wants. Her pronunciation stays British in any blend.
Length the engine likes. The published guidance puts the sweet spot at roughly 100 to 200 tokens, a few sentences; very short lines are the weak spot and very long ones can rush.
Where we would use it
Modules, assessments, and explainer videos for a British or international audience, the use our note names. Try 0.95 times for learners.
Non-fiction reads where the listener needs the facts at a steady pace.
Because pronunciation comes from the first voice, Imogen keeps every blend British while borrowing timbre from any second voice.
Blends
None of these is a recipe we kept; each is a pairing suggested by the ones we did keep. Press play in the widget and judge for yourself.
A pairing to try. Delaney is the second voice in twenty of our recipes across four languages, low and throaty by our note; listen for the same under British pronunciation.
50% Delaney
A pairing to try. Our note on Edmund is a low British male for documentary voiceover; listen for a documentary read that stays British throughout.
50% Edmund
A pairing to try. Maya is our grade A narration voice; listen for whether her timbre sharpens Imogen without adding an American accent.
60% to 70% Maya
A pairing to try. Walter is our seasonal-announcement pick, graded D-; listen for whether half of him suits a chapter opening.
50% Walter
A fixed sample at this mix, rendered once and cached. No credits used.
A cross-language blend: Imogen keeps the pronunciation, the second voice only lends its timbre.
Every blend works the same way: the first voice sets the pronunciation and pacing, the second voice lends only its timbre, and you choose the ratio between 10 and 90 percent. See the three steps on the voice library page
At a glance
| Language | English (UK) |
|---|---|
| Voice | Female |
| Overall grade | B- |
| Target quality | B |
| Training audio | 10 to 100 hours |
| Captions | Word-level captions |
| Cost | 1 credit per job, room for 10,000 characters |
| Formats | MP3 free, WAV on paid plans |
| Commercial use | Included on every plan |
| Preview | Free, no sign-up |
Grade, target quality, and training audio come from the engine's published voice list and estimate training data, not how a voice sounds.
FAQ
No. The primary voice decides pronunciation, so Imogen stays British; the American second voice contributes timbre only.
The published list grades training data. Imogen has the largest band, 10 to 100 hours, with B target quality; the other British voices have minutes or a few hours.
Try 0.9 times. Our note describes a steady pace, and the published guidance suggests speed changes mainly to stop long utterances rushing; listen before going slower.
Yes. Standard voice output is licensed for commercial use on every plan, without attribution or a watermark.
Similar voices
Paste a script, keep Imogen or blend a second voice, and download the MP3 with subtitles.